TIME TRAVELING BRIDE: Bouffant to Mod in the 1960s
If Jackie Kennedy and Audrey Hepburn had incredible style influence in the early 60s-- Jackie flaunting Oleg Cassini and Audrey, Givenchy--by 1965, the times were indeed a' changin'. The Swinging 60s were shaped by two designers: Courrèges in Paris and Mary Quant in London, both of whom laid claim to introducing the miniskirt. All about freedom and breaking tradition, once the mini came to prominence, it quickly made its way into bridal fashion. The traditional veil was sometimes replaced with a head wreath, white lace bandana . . . or-- shockingly at the time--nothing at all.
Decide whether you're going early to mid 1960s or late decade. Check out earlier seasons of the television series, Mad Men, if you want to create a post-50s look of fitted sheaths and bouffant skirts. Later looks from 1965 through 1969 drew inspiration from models like Twiggy and designers like Mary Quant, embracing a rebellious fashion philosophy.
EARLY TO MID SIXTIES
Really study out the hairdressing. When I was a kid, "the flip" was very in. If my mother or aunt returned from the hairdresser, this is usually the style that came home. It used to take a full head of larger rollers and sitting under the dryer, reading Ladies Home Journal front to cover; now it can be done via curling iron and a good stylist.
LATE SIXTIES
*Dress your legs if you're going to wear a mini. Tights and pantyhose were a new and welcome invention. White lace or opaque, overnight tights eclipsed stockings that had to be held up with garter belts--which would never have worked with the mini skirt.
Find a pair of white Courrèges boots if you can. A.k.a. Go-go boots, brides sometimes paired the white lace mini dress with these new, groovy space-age calf boots that swept the fashion scene around 1966.
Floral halos became popular, mostly a circlet of daisies. Wearing hair florals was synonymous with the "waif look" popularized by thin models with large eyes, such as Twiggy and Edie Segewick.
Brides sometimes wore mini skirts with very long tulle veils, again, breaking the tradition of the long veil needing to correspond with a long white dress.
Floral halos became popular, mostly a circlet of daisies. Wearing hair florals was synonymous with the "waif look" popularized by thin models with large eyes, such as Twiggy and Edie Segewick.
Brides sometimes wore mini skirts with very long tulle veils, again, breaking the tradition of the long veil needing to correspond with a long white dress.



.jpg)












