HAIL TO THE SHEATH

The sheath is a favorite of brides who take pride in working out and strutting their stuff. I'm not referring to the evening gown or any variation with a flared skirt, but the sheath Audrey Hepburn made famous in Sabrina--that snug-fitting, long columnar silhouette in a heavier fabric like Duchesse satin or peau. Defined, the classic sheath looks like the images above and below--having waistline and skirt features that are usually as snug up top as on the bottom. This silhouette can work for the bride who wants a stylish, simple presence, as well as for one who wants to make a more powerful statement with a veil or lace accents and a train. On the right bride, this silhouette is elegant and conveys a sense of class. Adding a skirt to a sheath via a detachable train is traditional for bridal and evening wear, evoking the 1950s.

We cover offshoots of the classic sheath in other posts.  These include the chemise, slip dress/evening gown, and mermaid. 

                                                                Julie Morgan Hair and Makeup

Since sheaths are basic, make the most of headwear and trains to accessorize and add extension.  Left: A detachable train added. Center: A chapel veil can act as a train and be removed post-ceremony. Right: A wide chiffon sash adds back interest.

CREDITS

Header Photos: S1 Studio

Photos4-6: Taralynn Lawton

All gowns and heawear by Amy-Jo Tatum Bridal Couture