THE BACK STORY
True, your grand entrance will certainly make the first impression. And how you see yourself head-on in a particular neckline and bodice is probably how you’ll go about choosing your gown. But realize once you make it down the aisle and stand alongside your groom, your guests will be looking at you from the back. Also, consider the reception; this is where your guests will have glimpses of you from all perspectives, including the back of your dress, train, and veil. All are significant to the overall picture
Think of your back in components that make up a picture of you: There’s the veil, back bodice, skirt, and train. Choosing the right veil depends on the length of the gown and the interest of the back bodice. You may opt for a shorter veil or no veil if there are some details you want to show off. These details can be as simple as a row of buttons all the way down the back, or as elaborate as silk flowers cascading the length of a cathedral train. How much or little detail you choose is a matter of preference. Here’s a listing of treatments to consider for the back of your gown.
BUSTLE- As we covered in the last section, bustling is the result of a train being pulled up or under and fastened to the gown or underskirt.
CLUSTER- Grouping of florals or florals mixed with bows, tassels, and ribbons.
BUTTONS-A row down the back is classic; either fabric covered or pearl.
RUFFLES-Some gowns have a treatment of ruffles part or all the way down the skirt.
BOW-This can be a series of small bows spaced down the back like button closures or a sizable one placed on the waistline or lower back.
DRAPE-Popular back treatment for low-necklines in evening gown silhouettes. Usually a cowl in crepe or chiffon.
